This post first appeared on Max-Gratitude.com
One of my favourite things about studying a literature course is being ‘forced’ to read books I’d otherwise not pick up. In 2011 I discovered The Lost Dog by Michelle de Krester, Metro by Alasdair Duncan, The Infernal Optimist by Linda Jaivin and Every Secret Thing by Marie Munkara. This year I’ve found Sixty Lights by Gail Jones and In The Penal Colony by Franz Kafka (so far).
Actually, Sixty Lights is a lot like The Lost Dog. They are both written in a similar style, both feature poignant little stories/memories/descriptions of loosely related things that enrich the story being told, both feature Australia (in particular Melbourne) and India as places that drive the narrative. And I love the female protagonist in both; Lucy in Sixty Lights for her photographic way of seeing the world (both literally and metaphorically) and Nelly in The Lost Dog for her artistic approach to dressing herself and to life in general.
I’ve written an interesting fiction-non-fiction piece on The Lost Dog that I will endeavour to polish and publish here in the near future, and I’m going to write an essay on Sixty Lights in the next few weeks for assessment for my current literature subject.